Rosemarie Fiore - Pyrotechnics
Art with Fireworks. Pyrotechnic artistry, call it what you want, its beautiful.
Fiore’s discipline relates to the European Surrealist movement and to German Wolfgang Paalen’s method of Fumage — known as an automatic technique, whereby unpremeditated imagery is generated, when provoked by a candle held under a sheet of paper, causing soot to gather on its surface — prompting the mind to associate freely. With her own process, Fiore similarly favors this element of randomness, being subjected only to her medium’s limitations and to the source of her subconscious. Following her own realization that fireworks, lit and thrown onto a smooth cement floor, leave chaotic marks as they spin and explode, Fiore started painting and drawing with the colorful pigments discharged by the explosives.
rosemarie fiore smoke art:
From the artist herself:
I bomb blank sheets of paper with different fireworks including color smoke bombs, jumping jacks, monster balls, fountains, magic whips, spinning carnations, ground blooms, rings of fire, and lasers. As I work, I create imagery by controlling the chaotic nature of the explosions in upside-down containers.
When the paper becomes saturated in color, dark and burned, I take it back to my studio and collage blank paper circles onto the image to establish new planes and open up the composition. I then continue to bomb the pieces. These actions are repeated a number of times. The final works contain many layers of collaged explosions and are thick and heavy.
By way of cardboard cylinders and metal cans, Fiore retains the firework explosions like specimen, restraining their movements to a constricted area on the paper and regaining a certain authority over her source. Furthermore, by tying fireworks to a large stick, she commands her medium, like any other, narrowing the potential for chance errors. Fiore concedes, however, acknowledging that “Fireworks are explosives. They are violent, destructive and chaotic in nature.” Originally discovered in China about 2,000 years ago, fireworks, both then and now, are thought to have the power to fend off evil spirits and ghosts, by frightening them with the loud bangs of their explosions. The alchemical connotations of fireworks, exemplified by the tragic figure of Dr. Faustus, who used pyrotechnics for his experimental rituals in his quest for greater enlightenment, are immanent.
Fiore’s practice alludes to these deductions while simultaneously demonstrating that, above and beyond all implications, fireworks can simply be used as a creative tool for abstract compositions of color and light. Rosemarie Fiore was born in 1972 in Mount Kisco, NY and currently lives and works in New York City.
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